تحولات حركة الممثل من الواقع الى الواقع الجسد فنيا "مسرحية هلو – سات انموذجا

Abstract

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The research concerns the study of the transformations of the theater actor towards his artistic performance according to the data of the director by drawing his characters embodied in the artistic work with their internal and external, temporal and spatial dimensions. And the extent of the actor's capacity to convey the concepts and semantics of theatrical performance and what resulted from this decree performance of the director at the technical level in his relations with the tools of the creation process, of the text and from the actor to the recipient, so that the parts of the creative process are completed by the analysis and interpretation of this audiovisual discourse and embodied Dynamics by the actor. Therefore, the research can consist of two chapters which include, the first chapter two studies and the second chapter the search procedures and the analysis of samples leading to results and conclusions and better still, a list of sources and references.